![]() ![]() It all comes down to a passion for storytelling. ![]() Mandy Walker Academy Award Winning Cinematographer – Source: Warner Bros. Walker is only the third woman to be nominated in this category since 1929, and we want to put a spotlight at her impressive career and how she got to where she is today. You might not share my opinion but believe me, her rise in the cinematography world is worth a closer look. Yet last night at the ceremony, James Friend won the Oscar for his work on All Quiet on the Western Front, and we want to congratulate him for his fantastic work (and in case you missed it, read our feature on the immersive camera in the movie and a look at the war film genre in general).īut we didn’t think it was fair to shelve this article forever, so let me still make me my argument on why I think Mandy Walker should have received the trophy. When I started working on this article, I was convinced that Mandy Walker would win the big prize, especially after her work in ELVIS really blew me away. Let me start by addressing the elephant in the room here: ELVIS, which was nominated in eight categories for the 95 th Academy Awards, was completely snubbed from winning any trophy last night. ![]() ![]() She is the third woman in the history of cinema to be nominated, following in the footsteps of nominees Rachel Morrison for Mudbound (2017) and Ari Wegner for The Power of the Dog (2022). Australian cinematographer Mandy Walker, AM, ACS, ASC, who worked as Director of Photography on films like Australia (2008), Tracks (2013), Hidden Figures (2016), The Mountain Between Us (2017) and Mulan (2020) was nominated for an Academy Award for Best Cinematography for her latest work on the epic biopic of ELVIS (2022). ![]()
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